Opening reception: December 10, 6–8 pm
Artist Talk: Artist and Kelly Baum, Assist. Curator of American and Contemporary Art, Blanton Museum of Art, 6:30 pm
Lora Reynolds Gallery is pleased to announce our first solo exhibition with conceptual artist, Conrad Bakker, entitled Slacker Economy.
Since 1997, Conrad Bakker has been making hand-carved and painted reproductions of consumer products as part of his Untitled Projects series. This exhibition will include new sculptural works made specifically for Austin. Untitled Project: VHS/Rental (Slacker) will include a video rental station (a fabricated table, wooden movie poster, and over 30 carved and painted VHS video tapes of the 1991 film Slacker by Austin-based filmmaker Richard Linklater). Also included will be Untitled Paintings: eBay/Slacker, a series of small paintings of ebay auctions that incorporate and capitalize on the term "slacker".
Though realistic in approach, Bakker's works are intentionally lacking in precision. The controlled clumsiness of the forms and painted surfaces suggest the artist's interest in something beyond mimicry. By superseding trompe l'oeil, the imperfect production methods emphasize the strangeness of hand labor in a world of mass produced goods.
The work in this exhibition focuses on subtle economic systems, or, "slacker economies," that function in passive opposition to the larger consumer driven economy. More slapstick than antagonistic, these faux networks function awkwardly as they both participate with and drift against the patterns of consumption. Bakker's work in this exhibition engages a range of economic sites – from video rental agreements to eBay auctions to thrift stores – as part of an ongoing investigation of a culture formed by consumption and dependent upon artifice.
Conrad Bakker lives and works in Urbana, Illinois. He is a faculty member of the School of Art and Design at the University of Illinois. His work has been shown in numerous exhibitions including the New Museum of Contemporary Art, New York, Massachusetts Museum of Contemporary Art, the Renaissance Society at the University of Chicago, Fargfabriken Center for Contemporary Art and Architecture, Stockholm, The Soap Factory, Minneapolis, Art in General, New York, Southern Exposure, San Francisco and his front lawn. In 2000, he received a Creative Capital Foundation project grant.