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Obras, curated by Lea Weingarten

Maria Nepomuceno
Untitled, 2008
ceramic, plastic beads, woven straw
19-3/4 x 27-1/2 x 19-3/4 inches

Lucas Simões
Unsaid 28, 2015
paper, concrete
6-7/16 x 12-9/16 x 2-5/16 inches

Lucas Simões
Abyss II, 2015
paper, concrete
9-7/16 x 15-1/8 x 4-11/16 inches

Lucas Simões
BebadoSamba Series IV, 2014
concrete, glass
dimensions variable

Erika Verzutti
Venus Yogi, 2013
concrete, wax
33-1/2 x 17-3/4 x 17-3/4 inches

Jac Leirner
Void 3, 2007
plastic bag, polyester foam Plexiglas
21 x 14 x 1 inches

Marcius Galan
Seção (Prisma Fumê), 2012
wood, wax, paint on wall; edition of 3
dimensions variable; site-specific

Marcius Galan
Bandeirinha, 2013
painted iron, string; edition of 3
dimensions variable; flag: 15 x 10-3/4 x 14-1/2 inches

Rodrigo Matheus 
Trans Ocean, 2012
mixed prints, postcard, thread, pins
70-7/8 x 47-1/4 inches

Fernanda Gomes
Untitled, 2013
canvas, card
8-5/8 x 4 x 1-3/4 inches

Fernanda Gomes
Untitled, 2014
canvas, wood, paint
12-5/8 x 22-7/8 x 1-1/4 inches

Ana Mazzei
Ghost Brics, 2015
ghost paper, wood
72 pieces; dimensions variable

Alexandre da Cunha
Kama Sutra I, 2015
t-shirts, acrylic, canvas
31-7/16 x 39-5/16 x 1-9/16 inches

Alexandre da Cunha
Morning II, 2015
raincoat, rubber scraper
15-11/16 x 15-11/16 x 3-1/8 inches

January 23 – March 26, 2016

Opening reception: Saturday, January 23, 6–8 pm

Artist Talk: 7 pm

Lora Reynolds is pleased to announce Obras, an exhibition of sculpture and installation by nine contemporary Brazilian artists curated by Lea Weingarten.

The artists’ primary media are humble materials (e.g., wood, concrete, paper) and ready-made objects—wine glasses, a shopping bag, t-shirts. They employ a light touch in blurring the boundaries between disposability and preciousness, revealing that minimal shifts in context can dramatically alter our perception of objects, ideas, or situations. Nothing is immutable.

Alexandre da Cunha (b. 1969, Rio de Janeiro) strips household and industrial objects of their utility and familiarity: at first glance stacks of toilet plungers (without their handles) seem to be ancient earthenware, straw hats resemble nipples and areolae, mop heads might be phallic totems, and gaudy beach towels stitched together become epic paintings. Da Cunha elevates everyday objects normally associated with specific, mundane activities into grand, timeless symbols of humanity, art history, and culture.

Fernanda Gomes’s (b. 1960, Rio de Janeiro) delicate sculptures are constructed from wood, gold leaf, thread, water, matchboxes, or tissue paper. She may coat her “things” (her preferred descriptor) with a thin layer of white paint; if not, she leaves their original color—the tawny brown of wood, brick, or an unfolded tea bag. Her sculptures are assembled from found, repurposed materials, but instead of unleashing a given object’s associative power (as da Cunha does) Gomes coaxes out the pure, simple, intrinsic beauty hiding deep within each humble treasure.

Maria Nepomuceno (b. 1976, Rio de Janeiro) coils vibrant rope and beads into complex networks of tendrils that culminate in round pads or bulbs. The sculptures droop from the ceiling, crawl up a wall, or sometimes just seem to wriggle on the floor. Her soft, biomorphic forms recall carnivorous pitcher plants, the nervous system’s dendrites and axons, sun hats, hammocks, and brass instruments. Her work is built from various configurations of spirals, a shape rich with associations of connectivity, community, interdependence—and DNA, the foundation of our existence.

Obras includes artwork by Alexandre da Cunha, Marcius Galan, Fernanda Gomes, Jac Leirner, Rodrigo Matheus, Ana Mazzei, Maria Nepomuceno, Lucas Simões, and Erika Verzutti.